Friday, 27 April 2012

True Brit Grit



True Brit Grit is released today on ebook (with paperback version to follow), and Guilty Conscience Publishing is as pleased as punch (who is punch?) to be involved with yet another ace anthology.

Featuring 45 short stories, from 45 of the grittiest British writers around, TRUE BRIT GRIT is the brainchild of Paul D. Brazill. It will raise money for two charities, chosen by each editor.

Children 1st - www.children1st.org.uk

Francesca Bimpson Foundation - www.francescabimpsonfoundation.org

Available from...

Amazon UK - http://www.amazon.co.uk/True-Brit-Grit-Anthology-ebook/dp/B007Y0FBNU/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1335555169&sr=1-1

Amazon US - http://www.amazon.com/True-Brit-Grit-Anthology-ebook/dp/B007Y0FBNU/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1335555670&sr=1-1


The line up is as follows...


Introduction by Maxim Jakubowski

1. Two Fingers of Noir by Alan Griffiths
2. Eat Shit by Tony Black
3. Baby Face And Irn Bru by Allan Guthrie
4. Pretty Hot T’Ing by Adrian Magson
5. Black Betty by Sheila Quigley
6. Payback: With Interest by Matt Hilton
7. Looking for Jamie by Iain Rowan
8. Stones in Me Pocket by Nigel Bird
9. The Catch and The Fall by Luke Block
10. A Long Time Coming by Paul Grzegorzek
11. Loose Ends by Gary Dobbs
12. Graduation Day by Malcolm Holt
13. Cry Baby by Victoria Watson
14. The Savage World of Men by Richard Godwin
15. Hard Boiled Poem (a mystery) by A J Savage
16. A Dirty Job by Sue Harding
17. Stay Free by Nick Quantrill
18. The Best Days of My Life by Steven Porter
19. Hanging Stan by Jason Michel
20. The Wrong Place to Die by Nick Triplow
21. Coffin Boy by Nick Mott
22. Meat Is Murder by Colin Graham
23. Adult Education by Graham Smith
24. A Public Service by Col Bury
25. Hero by Pete Sortwell
26. Snapshots by Paul D Brazill
27. Smoked by Luca Veste
28. Geraldine by Andy Rivers
29. A Minimum of Reason by Nick Boldock
30. Dope on a Rope by Darren Sant
31. A Speck of Dust by David Barber
32. Hard Times by Ian Ayris
33. Never Ending by McDroll
34. Imagining by Ben Cheetham
35. Escalator by Jim Hilton
36. Faces by Frank Duffy
37. A Day In The Death Of Stafford Plank by Stuart Ayris
38. The Plebitarian by Danny Hogan
39. King Edward by Gerard Brennan
40. This Is Glasgow by Steven Miscandlon
41. Brit Grit by Charlie Wade
42. Five Bags Of Billy by Charlie Williams
43. It Could Be You by Julie Morrigan
44. No Shortcuts by Howard Linskey
45. The Great Pretender by Ray Banks



An excellent mix of new and established writers I'm sure you'll agree!

Out 27th April 2012.

For any interviews, guest posts, etc. please contact guiltyconsciencesubmissions@gmail.com






Monday, 30 January 2012

Spotlight on Off The Record contributor Eric Beetner




Eric Beetner is under the spotlight today. Fresh from the critical acclaim for his novella 'Dig Two Graves', Eric is a name soon to be uttered worldwide by readers. For his short story in Off The Record, he has 'California Dreamin', and a short snippet of the story follows...


CALIFORNIA DREAMIN' by ERIC BEETNER

The duct tape bound her arms tight to her sides, hands wiggling free just below her hips. Naked underneath, but damn it was hot being outside. San Fernando valley in August – can’t say nobody warned her.
When this came off – if it came off – she wasn’t worried about the wrapping of tape over her mouth and around the back of her hair. It was her nipples. God, that was gonna suck.
As it was looking, chances were slim she would ever feel the sharp pain of freshly waxed nipples. And yes, she had already found the irony in her monthly trips to the Vietnamese spa on Ventura to get her pubic hair removed in much the same way.
‘Got a good view?’ he said. Sweat dripped off his lip and splashed on the stone pad surrounding the pool. She watched it quickly evaporate. She tried to stare at the hot sandstone instead of at the water even though the pool was so blue and inviting. If she looked there, she might see the moment when the bubbles stopped. That meant Johnnie was dead.
Wrapped in a similar duct tape cocoon Johnnie had gone under about three minutes ago, but her sense of time was all screwed up. Your husband trying to kill you will do that to a gal.
So she fucked him. Big deal. It sure as shit wasn’t worth all this. But, her husband apparently disagreed. Went to a lot of trouble. She wondered if he had even thought ahead to what a pain the ass it would be to fish out both bodies from the bottom of the swimming pool.
Doubt it. Thinking ahead – not his strong suit.
‘I want you to look,’ he said as he bent down beside the lounge chair. He lifted her head by a tuft of hair, caveman style, and turned her to face the deep end. Caveman. That’s what he’d been all along...

So Eric you're one of the multitude of writers involved with OFF THE RECORD, can you tell us what song title you went for and why?

I cheated a little since I didn't want to choose my song, so I let you pick one for me. I love challenges like this that force me to think on the fly. I find it makes the ideas that come more organic. I didn't want to pick a song because I had a preconceived notion that I thought would make it easier. I ended up with California Dreamin' which is great because I live in California and there are no shortage of ideas around me all day long.

What's the story about, and how much was inspired by the song itself?

As I tend to do, I wrote two stories actually. (sometimes I have too many ideas) and I'm happy we chose the one we did because it is the nastier of the two. The meaner and more unexpected. I am not a sunshine kind of guy so I immediately went to the sun as a bad thing. Sad, I know for someone who just bought a house a stones throw from the beach. I can't help it - I'm a writer, a TV editor, former musician - none of these are jobs where you get a tan. My story is about the end of a marriage after an infidelity. If that sounds like a depressing Bergman film, the story is most definitely not. The husband has his own ideas about what constitutes a divorce.

For the record, my marriage is perfectly happy and we don't have a pool. So read the story as a work of pure imagination.

Do you think music has much influence on your writing?

Almost none. I don't listen to music when I write. I find it way too distracting. I don't like background music. I am an active listener. Might come from my history playing and writing music or it might be the kind of music I listen to. I find the idea of listening to movie soundtracks separate from the film as just plain wrong. I have some "mood" music and a lot of jazz but I don't want someone else's art to dictate any influence over my own art.

That said, I'm sure I've stolen ideas from Tom Waits lyrics over the years.I just don't listen to it while I'm writing or I'm sure I would steal more.

OTR is being published in Ebook format, so the question is...what are your feelings about the current Ebook revolution occurring at the moment?

I have no problem with ebooks. They are here to stay and in the end, reading is reading. I do prefer a print copy. I don't own an e-reader as of now. I can access them on my iPad but almost never buy something as a ebook only. Nigel Bird's Smoke, Keith Rawson's The Chaos We Know and Matt McBride's Frank Sinatra In A Blender may be the only things I've ever bought as a ebook.

I'm sure I will have one soon. There is too much good stuff coming out in ebook only and I have released titles in ebook only myself so I know I need to get on board. I spend plenty of time looking at a screen though. And I love books on my shelf. Always will. But do I think it is the downfall of publishing? No way. Do I think it is bad for writers? Nope. Do I think there is a lot of bad material being rushed onto ebook formats that shouldn't be? Absolutely. I've also read some $25 hardcovers that I thought were crap. The biggest plus for me on ebooks is affordability. Books are entertainment for the masses. They should be priced as accessibly as possible while still allowing people to be able to make a career from writing. 

Apart from music, what other aspects of life do you use for inspiration? 

I'm very much a pure imagination guy. I don't have an exciting enough life to pull any stories from so I make everything up. Less research that way too and I'm impatient. Surely I am influenced by other books I read, movies I see. I like to know what works about what I like and what doesn't work about what I don't like. Being able to deconstruct a little bit helps with structuring your own writing, I feel. Inspiration can come from anywhere though. A bit of overheard conversation, an interesting scene out side the car window, anything really. That's why I like prompts like OTR - instant inspiration! 

Did you read as a kid growing up and if so what authors did you read?

I read a moderate amount. I was a horror guy for a while. My sister loved King and I read some of hers then Clive Barker, Charles Grant, the Exorcist. Lots of short stories. In high school I did my senior author paper on William Wharton who wrote Birdy and several other great books. I wasn't much of a crime reader then. I read Jaws one summer and it was too adult. Too much observation and talking scenes for me. I'd probably love it now.

What authors do you always look forward to reading? 

Duane Swierczynski, Joe R. Lansdale, Megan Abbott, Christa Faust, Steve Hockensmith, Jason Starr. I'm excited for the new Gar Anthony Haywood. And now that Jake Hinkson has blown me away with his first book I'll be waiting for whatever comes next from him with baited breath. So many! I prefer standalones so I don't read much series stuff other than by friends. I don't read any of the bigs - Crais, Connelly, Child. I probably should. I like nasty little noirs where anyone could die at any moment though. And I'm always up for a vintage pulp I've never read before.

If you could name just one book which inspired you to start writing, what would it be?

Probably The Phantom Tollbooth. As a kid it really showed me the power of language. It's a book all about words and using words to alleviate boredom when you're alone, which I was an awful lot as a kid. 

What other books, short stories, or anthologies do you have out there at the moment?

Oh man, December was a big month. I put out two novellas - Dig Two Graves of which Sean Doolittle said, "It's all in the voice, and Eric Beetner's got a live one. I look forward to hearing more of it." And Spinetingler Mag said, "It’s dark, funny, fast, and gleefully, wonderfully wrong entertainment." That's an ebook only.
Then Split Decision, book #3 in the Fight Card series. Each Fight Card is a stand alone tale told under the unifying pen name of Jack Tunney. Paul Bishop and Mel Odom wrote the first two and there are some great ones coming out in 2012. Wonderful throwback pulp novellas. We have print and ebook versions of that.
Of course there are my two novels with co-author JB Kohl, One Too Many Blows To The Head and Borrowed Trouble. The few people who have found those out in the wild have really liked them. Megan Abbott said, "Like a long lost pulp you find in a favorite bookstore." (both print and ebook)

The anthologies: Pulp Ink where I also got a great prompt to write a story I'm really pleased with. D*cked, which is the wildest anthology you'll ever read, and my weirdest piece. (D*cked has a fabulous print version as well as ebook) Grimm Tales, a great idea to riff on classic Grimm Fairy Tales. My take on Cinderella is not for the kids.Discount Noir is a great flash fiction collection. Murder in the Wind is a collection of authors from my first publisher. I quite like my story in that one too.

What are your future plans, in terms of writing?

Just keep typing. I have been throwing manuscripts at my agent like crazy and trying not to be impatient as the wheels of publishing slowly turn. I've had great luck in the indie publishing world which I have augmented with hard work and a steady stream of material, but I am hoping to jump to something bigger soon. The good news is that I feel like my latest writing has been some of my strongest. Now if only someone else would recognize that.

But I can't and won't sit back and wait. Always moving forward, always on to the next idea.

And now 2 questions I always ask of writers… 

Describe your perfect writing environment.

Quiet. Dark outside, around midnight or so. No reason to get up early the next morning. Hot chocolate on the desk next to me. Surrounded by shelves of books, my favorite Film Noir posters from my collection. A dog snoring at my feet.

Describe your actual writing environment.

See above, minus the get up in the morning part. And the dog. She passed away this past winter. That snore was all the soundtrack I needed.

Saturday, 14 January 2012

Spotlight on Off The Record contributor Nick Boldock



Joining me today, is Nick Boldock, another one of those Hull writers, who seem to be appearing daily at the moment. Nick is one of those writers who constantly surprise you, he has an excellent 'voice' for character. He has a wealth of short stories around the place ( www.nickboldock.co.uk for links) and he went for Superstition by Stevie Wonder for his song choice. A short snippet of the story follows...


SUPERSTITION by NICK BOLDOCK


Black cats are supposed to be lucky. Christ knows why. The damn things are everywhere – what’s so lucky about that? I see them all the time – one in particular – and I’ve never been lucky in my entire life. Not once. Seeing a bloody cat never made any difference. Mind you, I could grow an acre’s worth of four-leaved clovers and I’d still be the unluckiest bastard alive – that’s just my lot in life.
Next door to me, there’s a black cat, which insists on shitting in my front garden. Filthy animal. Why I should have to clear up the faeces of somebody else’s cat is beyond me. There’s some young tart lives next door. I don’t really know her but perhaps I should go and introduce myself by presenting her with a faceful of her precious animal’s shit, gathered from my admittedly rather downtrodden veg patch. Perhaps she’ll be so repulsed that she’ll help me hold the cat down while I gouge its fucking eyes out. Not exactly original I know, but it’d make me feel better.
She’s unlikely to go for that though. Instead, predictably, she’ll half-heartedly apologise and bleat on about how cats are wild animals and are compelled to follow their nature. Fair enough, but I’d much prefer it if it followed its nature in someone else’s garden, thanks.
Right on cue, there it is on the windowsill, glaring at me. I give it the two-fingered salute but it doesn’t move, although it does seem to frown at me in a feline sort of a way...




So Nick you're one of the multitude of writers involved with OFF THE RECORD, can you tell us what song title you went for and why?

I plumped for Stevie Wonder's "Superstition". The reason is simple - I honestly had no idea what I was going to write so I chose a suitably vague title! It worked, so I stand vindicated. It's a great song too, of course.

What's the story about, and how much was inspired by the song itself?

My story is about a young man who has a gambling problem - the problem being that he never wins. Never, that is, until he meets a certain black cat and his luck changes for the better...

Do you think music has much influence on your writing?

Oh God, yes. I've always dropped musical influences into stories and this isn't the first time I've used a song as a story title (though it's the first time I've done it this way round). In fact one the first stories I ever wrote, many moons ago, was called "Subway Song", as per the song by the Cure. Also, the novel I'm writing at the moment has more than a small nod to Jimi Hendrix - in fact, he appears in it... sort of. I'm also working on a novella at the moment, which is entitled "Turn Out The Lights", a title which is a reference to a Doors lyric. Music is all over the place in my stories. 

OTR is being published in Ebook format, so the question is...what are your feelings about the current Ebook revolution occurring at the moment?

I have mixed emotions about it. It has many positives and just as many negatives. It is great to see so many writers being able to do it themselves, if they so choose, rather than simply stockpiling rejection letters from mainstream publishers who don't want to know because their stories don't have boy wizards or shadowy secret societies in them. The possibilities for outside-the-box publishing - short stories, anthologies and other forms - are immense. On the downside, the very fact that literally anyone can now publish a book or a story means that the quality control is often worse than laughable. However, whatever we all think, e-publishing is here to stay and I think it certainly has its place. I've dipped my toe into it, obviously, but I'm not sure I'm ready to jump in at the deep end just yet.

Apart from music, what other aspects of life do you use for inspiration?

Reading great fiction is always an inspiration. It gives me the kick up the arse I need to get in front of the keyboard and start tapping. 

Did you read as a kid growing up and if so what authors did you read?

I've been a voracious reader since I was old enough to hold a book. The first adult fiction I read was Stephen King's The Shining (which I was far too young to be reading) and that began a love affair with the King that has never waned. I read a lot of pulp horror when I was growing up (Shaun Hutson, James Herbert, Graham Masterton) although it's been a long time since I've read anything by any of those three. As a teenager who loved heavy metal and horror, I thought Shaun Hutson was as cool as fuck. Kids, eh!

What authors do you always look forward to reading?

Stephen King, as I said above. Irvine Welch. Iain Banks. Roddy Doyle. Roddy Doyle is an amazing writer - simply astonishing.

If you could name just one book which inspired you to start writing, what would it be?

Oh Lord, now there's a question. I honestly have no idea. It would probably have been The Shining, I guess.

What other books, short stories, or anthologies do you have out there at the moment?

I have a short story in Paul D Brazill's anthology "Brit Grit Too" which has just come out. There are numerous other short stories out there both in print and on that there Interweb. This would seem a suitable juncture in which to point out that my website - www.nickboldock.co.uk - will direct you to any or all of them! 

What are your future plans, in terms of writing?

Firstly, to finish the novella I'm working on. I finished a shorter version of it in 2011 but I'm now expanding it out to 20,000 words - I know what needs to be done to get there, I just have to do it! In 2012 I'd like to be a little more disciplined in terms of writing more often and not allowing myself to be sidetracked so easily. I would like to get someway towards finishing my novel ("Are You Experienced?") and complete a load more short stories, of course!

And now 2 questions I always ask of writers… 

Describe your perfect writing environment.

There must be background music (I know many writers would find this idea unthinkable) as I can't work without it. I listen to a lot of reggae and jazz while I'm writing, which is odd as I don't particularly like jazz, but I think it works really well as background noise when I'm bashing away at the computer (as it were). A nice cold glass of craft-brewed real ale or perhaps a good Belgian beer doesn't hurt, either. Most importantly, nobody must fucking talk to me, unless they want me to intensely dislike them, throw things at them, or both. Actually, talking of background music, I'd like Joan Baez to be sitting behind me playing an acoustic guitar while I'm typing. That would be nice.

Describe your actual writing environment.

As above, but with lower quality beer and no Joan Baez.

Friday, 13 January 2012

Spotlight on Off The Record contributor Victoria Watson



We've had some time off this week, but we're right back to shining the spotlight on the writers involved with Off The Record. Today, it's Victoria Watson. Vic is a new face on the block, releasing three short stories towards the end of 2011, to excellent reviews. A very talented woman, she's sure to go very far! She went for Bye Bye Baby for her classic song title, and a snippet of the story follows...

BYE BYE BABY by VICTORIA WATSON

The doctors say we can go home tomorrow. I hope your daddy’s managed to get the room all finished in time. We didn’t want to go for yellow really but we didn’t want to know what we were getting, we wanted a surprise. You gave us a surprise alright, coming as quick as you did. It’s all a blur now, probably the shock.
You’re in the crib beside me, bundled up, all in white, your eyes closed. I’m scared to pick you up in case I wake you. I’m nervous about what will happen when you wake up. How will I know what to do? I’ve read every book I could get my hands on, every spare minute had me reading about it all, but will that really prepare me? Can I really do this? I’ve always been good at academia but this is so different, you’re an unknown quantity. What I do know, though, is that there is no way I could ever love you more so, I guess that stands us in pretty good stead.
Even though we didn’t want to know, I knew you were a girl. I don’t know how, I just did. You’ll be a daddy’s girl but I know, as you get older, we’ll get closer and I’ll get a new friend... 



So Vic, you're one of the multitude of writers involved with OFF THE RECORD, can you tell us what song title you went for and why? 

My song title was the Bay City Roller’s ‘Bye Bye Baby’ and I have to admit that, although I love the song, it just happened to fit the story and that’s why I picked it. The story most definitely came first. 

What's the story about, and how much was inspired by the song itself? 

It’s about a new mum who’s talking to her newborn baby, about the sadness she feels at not having her own mum around for the experience but, like most of my stories, there’s a twist in the tale. I can’t say the song influenced the story at all but it seems to fit perfectly.

Do you think music has much influence on your writing? 

My inspiration comes from lots of places but I do love music and if a song has a story, like ‘Jack and Diane’ for example, I love that. When I’m listening to songs, I sometimes think about a scene which may incorporate a certain song. 

OTR is being published in Ebook format, so the question is...what are your feelings about the current Ebook revolution occurring at the moment? 

I think the ebook revolution is great for everyone. I don’t think ebooks should replace books but I think ebooks are great for people who travel a lot; they’re also great for a bookworm like me who can carry hundreds of books in one gadget. I think ebooks are fab for new writers, it means you can build up a fan base which may, one day, lead to a print-based audience. 

Apart from music, what other aspects of life do you use for inspiration? 

I use anything! I can literally be in a place and think it would be a great place to set a certain type of story. I’m a people watcher so pretty much everyday, I take notice of people’s mannerisms and characteristics. That comes in handy when developing a character. I’ve always been interested in stories, whether real or imagined, and so I like to let my mind run wild and see where it takes me. I find that things that are going on in the world also make interesting stories. I’ve written a couple of stories about 9/11 and I’m currently writing one about a situation in the Middle East. 

Did you read as a kid growing up and if so what authors did you read?

As an only child until the age of six and a half, I read a lot. I felt the characters were my friends. I loved Jill Murphy’s ‘Worst Witch’ series because I felt Mildred Hubble was like me, full of good intentions but always getting it wrong. My favourite author has always been Roald Dahl though. His use of language is just so unique. 

What authors do you always look forward to reading?

I love discovering new writers but there are certain writers that I always seek out. I still love to read Roald Dahl even though I’ve read everything he’s written. I like Linwood Barclay’s books and I can’t wait to read Chris Cleave’s new release. Likewise, I wish Khaled Hosseini would release something new. 

If you could name just one book which inspired you to start writing, what would it be? 

That’s a great question! I have to be honest and say I’ve always enjoyed writing but I undertook my Masters in Creative Writing in 2008 because I was sick of reading chick lit and finding it so samey. I really felt I could write something much better. 

What other books, short stories, or anthologies do you have out there at the moment?

I have a story in another charity book - ‘Brit Grit Too’. The first piece of work I ever got published is in an anthology called ‘Home Tomorrow’. I have three short ebooks available at the moment: ‘I Should Have Seen it Coming’, ‘Keeping Quiet’ and ‘Inside’. 

You've had a great reception to your short stories released so far...as a relatively new writer on the scene what was the process of releasing them like? 

It was really exciting. I have loved making connections with other writers and spending time promoting the ebooks. I absolutely adore getting tweets off people or reviews on Amazon or Goodreads saying how much people have enjoyed the stories, it makes it totally worthwhile. It’s nice to know whatever I’m doing, I seem to be doing it right. 

What are your future plans, in terms of writing?

I have three short stories in the pipeline at the moment and I’m about a third of the way through a novel. 

And now 2 questions I always ask of writers… 

Describe your perfect writing environment.

I would love to sit somewhere warm and sunny with all of the windows open, listening to the sea lapping nearby. 

Describe your actual writing environment. 

Usually in my bedroom in the chilly, grey north-east of England.

Friday, 6 January 2012

Spotlight on Off The Record contributor Charlie Wade



Up today, is a man who will become a well known name before too long. Fiction's best kept secret up until recently, Charlie Wade has been getting better and better of late, culminating in the release of his incredible novel The Bailout. Charlie went with Sheila Take A Bow for his song choice, and a short snippet of the story follows...


SHEILA TAKE A BOW BY CHARLIE WADE


His wife was right. The yogurt stain on his trousers didn’t look like yogurt. Rick hadn’t noticed it until she’d pointed it out.
The bruises would heal though. They always did. She was also right about whose fault they were. His, for employing the silicon secretary instead of the spinster one. He wondered what he’d been thinking then remembered exactly what he’d been thinking. He’d been stupid. Stupid to think he could have hid a secretary. Stupid to think an attractive woman half his age would be interested. Stupidest thing of all, nothing actually happened.
‘Ah, Miss Jones, come in.’
She walked in, all hair, smiles and cleavage. Sitting down, she crossed her legs then looked at him. ‘Mr Henry?’
‘Yes, urm, I’m afraid it’s the downturn.’ He turned and stared out the window, as he always did. His father would have said he’d no backbone.
‘I’m afraid it’s a case of last in first out.’ He looked round, fixed his eyes on her mass of hair. Blonde with dark roots showing. ‘I want you to understand I’ve done everything to avoid this.’ He shifted his gaze to the coat stand behind her. ‘But, it’s just one of those things.’
He turned back to the window and ran a hand through his hair. Greasy. That new shampoo was terrible. Wiping his hand on his trousers, he looked at her.
Her big blue eyes stared at him. Pleaded with him to reconsider. A tear rolled down her cheek. She sniffed then wiped at it with the back of her hand.
Pulling a handkerchief from his pocket, he passed it to her. More eye contact. She was stunning. That’s why he’d employed her in the first place. He looked back at his desk. The envelope.
‘Here’s two months pay and a reference. As I say.’ He looked back at the window. ‘I am sorry.’
She took the envelope and made for the door, pausing by the coat stand.
‘Thanks for the opportunity, Mr Henry.’
He nodded as she left...



So Charlie, you're one of the multitude of writers involved with OFF THE RECORD, can you tell us what song title you went for and why?

I originally tried to write a story for The Smiths - Girlfriend in a Coma, but nothing came to mind. I then thought of using Femme Fatale, but halfway through writing it, I thought Sheila Take A Bow fitted the story better.

What's the story about, and how much was inspired by the song itself?

The story is about a grubby, middle-aged man who's so pathetic he can't even have an affair properly. Add to that, a wife with an impressive golf club swing and a secretary with a grudge and you get the picture. There's a line in the song - Boot the grime of this world in the crutch, dear - that I like, and I suppose that's what inspired most of the story rather than the actual meaning of the lyrics. 

Do you think music has much influence on your writing?

A little. I've got a big vinyl collection plus hundreds of CD's but I struggle to write and listen to music together. Some song titles or lyrics are always going to stay in your head and end up influencing characters or scenes.

OTR is being published in Ebook format, so the question is...what are your feelings about the current Ebook revolution occurring at the moment?

In some ways it's exciting, anyone can have a go and do it. Obviously though, quality will always be a problem where people self-publish. I don't see an easy way of regulating this.

Apart from music, what other aspects of life do you use for inspiration?

Not life as such, but I have a lot of dreams that end up being partly used. Some mannerisms I've picked up from ex-work mates or acquaintances have been borrowed and used. I always feel that what makes a character real is some little quirk. 

Did you read as a kid growing up and if so what authors did you read?

From an early age I read Enid Blyton and loads of other children's authors. I stopped reading about age 13 when home computers first came out. I went in a more maths direction at school and so read less. I got back into reading in my late teens and haven't stopped since. 

What authors do you always look forward to reading?

Ian Rankin and Stephen King.

If you could name just one book which inspired you to start writing, what would it be?

Filth by Irvine Welsh. I realised then that crime writing didn't have to be just Agatha Christie or Dick Francis.

What other books, short stories, or anthologies do you have out there at the moment?

I have a book, The Bailout, which is a post credit-crunch dystopia. I self published it because it's set in 2012 and with the current turmoil in Europe, I wanted it out there before it became an alternative history rather than a possible future. Also, Trestle Press have released two of my short stories as e-books, Das Slap and A Life in Rags.

What are your future plans, in terms of writing?

I've nearly finished my next novel, Seven Daze, just got about 5,000 words left, then I've got a few part written novellas that need finishing. After that I've got another idea for another novel. Should keep me busy most of the year.

And now 2 questions I always ask of writers… 

Describe your perfect writing environment.

There's a house overlooking Grasmere in the Lake District that looks perfect for writing. Large windows with views across the lake. Unfortunately it's not for sale, and if it was, there's no chance of me affording it.

Describe your actual writing environment.

An hour or two mid evening on the living room computer while my other half watches soaps and reminds me that I haven't yet done the washing up.

Thursday, 5 January 2012

Spotlight on Off The Record contributor AJ Hayes



Continuing with our series of Off The Record contributors put under the spotlight, today we have one of the coolest guys around the interwebs. AJ Hayes is not only one of the finest writers working, he's an excellent reviewer, and a massive supporter of new writers. AJ went for the song Light My Fire (eventually), and a short snippet follows...



LIGHT MY FIRE BY AJ HAYES


You don't catch a man like Paul. You track him, subtly, silently, through your network. You don't blunder about looking, calling attention to yourself. No, you sit quietly, a pale spider in the dark, listening to: a rumor in Paris about something someone said and someone repeated in an internet cafe in Port Au Prince; a fragment of a conversation in a bar half a world away; a whisper on the internet that a miniature oil painting was bought in a bazaar in Marrakesh by a nameless Japanese collector of such works. You listen and you listen. For twenty years. Until you catch a break. Until you know where he is. 
***
A faceless building, white with blue shutters, on a nameless street in Athens. I climb the midnight stairs carefully staying to the inside edge of the flats. I am smoke. A ghost. Silence moving. The door yields without sound and I slip inside, ready. But not ready for the flash of light, the sudden pain in my chest and the long fall into deeper darkness.
When I open my eyes again, Paul fills them. Sitting in a small, yellow chair under a single ceiling light. I lunge and find my arms and legs restrained by steel bands that hold me upright.
‘Hello, David,’ he says. ‘Long time.’ 



Once you've bought a copy (or if you already have), enter this huge competition happening right now, here --->> http://www.guiltyconsciencepublishing.com/2012/01/off-record-huge-competition.html


And now, an interview with the man himself, AJ Hayes...


So AJ, you're one of the multitude of writers involved with OFF THE RECORD, can you tell us what song title you went for and why?

Mainly, Luca -- you dirty rat -- because you told me my first choice, Nights In White Satin, had already been taken but, Light My Fire, was available, so I went with that.

What's the story about, and how much was inspired by the song itself?

The story is about love, mostly. Love and the way the reality of that state can be changed forever by a single, irretrievable act. In the end though, in the most awful way, it concludes that love endures; that life without it is unbearable. The title song -- when the dirty rat, Luca Veste, made me take it -- actually changed my ending drastically. In fact it made the whole piece better. The first ending was more relenting than I wanted. The one suggested by Light My Fire made my subconscious put on its track shoes and start tap dancing on my head. So, yeah, the song inspired me.

Do you think music has much influence on your writing?

In spite of being a musician (a very poor one) I'd say, no, music doesn't figure real big in my writing. Having said that, I must confess that when I'm in the pre-writing state -- you know that place where you got a story or poem rummaging around in your head and nothing is formed solid yet because that bastard sub-conscious just won't let you in on what the story you want to write is about -- I do sit up late at night just staring into space thinking about nothing, listening to Pandora or Groove Shark and playing nothing but the saddest songs I can find. That seems to make me so morose that the bastard sub-conscious finally tells me the story, just to escape the vast depression I'm causing it to experience.

OTR is being published in Ebook format, so the question is...what are your feelings about the current Ebook revolution occurring at the moment?

I love it! E-books have let me find writers that knock my socks off. The only caveat I have with electronic publishing is it seems to be creating niche markets for writers. Niche markets are fine and lots of people find well paying places within that scope, but, because it is a small market, it scares off most bookstores -- especially the indie ones -- because they just don't understand it or -- a bigger reason -- don't quite get how to market the e-product and still make a profit. OTR is available in trade paperback and that gives us a talking point with store owners; gives them a physical point of purchase book for their shelves. Right now that's important, though maybe not so important a few years from now. Every phenomenon takes some getting used to, the e-book is no different.

Apart from music, what other aspects of life do you use for inspiration?

I walk around with my eyes and ears open. I think about my life, the hard, hard lessons I learned from living it. I read and read and read some more. I look in my granddaughter's eyes. I look in the mirror and think things like you dumb fuck, you made it in spite of you. Stuff like that. I guess. Dunno.

Did you read as a kid growing up and if so, what authors did you read?

Yeah, on a farm in rural Virginia with no TV, radio, movies, you damn betcha I read. Still will read the side of a cereal box if there's nothing else around -- especially in the bathroom. I read comic books, classics, Victorian romance, whatever books were on my grandparents shelves, my neighbors and relatives shelves. When you're a kid, you are an omnivore about reading. After we moved to California I found the El Cajon Public Library. Read every single book in it (in collusion with the librarian, Mrs. Mann, who signed the permission slips for me to read all the books eight-year-old were not supposed to). There's a special place in heaven for people like that lady.

What authors do you always look forward to reading?

Hah! Another list. There's just too many to name. You know their names. Hell, in our community we all know each other and our work. If you're talking famous folks, you know, wire rack super market best selling juggernauts. Conelly, Ellroy, Gibson, Heinlein (re-read of course, man's been dead for twenty years and STILL stirs 'em up). Every now and then I go back to Harper Lee, Big Jack the K, ST Colderige, Kipling, Twain all those folks. lately, thanks again to all my crazy friends, the short story has come back into my life. There just ain't enough paper in the world for that list you asked for, so I'll stop now.

If you could name just one book which inspired you to start writing, what would it be?

Robert Anson Heinlein's, Space Cadet. Picked it up at the library and thought I want to DO that.

What other books, short stories, or anthologies do you have out there at the moment?

Pulp Ink, edited by Rhatigan and Bird. Got a couple poems coming out this month and next in Yellow Mama and A Shot Of Ink. Right now, Yellow Mama Christmas issue. Jack Bates Flash Jab Fiction. Couple more, but I forget.

What are your future plans, in terms of writing?

Couple other things kicking around in my head soon's I come out of the Christmas/New Years fog. Thinking about an anthology, soon as I get another couple of stories about Jimmy and Bobby's world.

And now 2 questions I always ask of writers… 

Describe your perfect writing environment.

Oh sure. A small house in the mountains outside Prescott, Az. In a bookshelf packed tiny room with a view out over the pines. Just the wind and the crackling fireplace. With of course dozens of fans gathered in that small town below, waiting with baited breath (they're eating anchovies and meal worms) for the next novel from the reclusive genius.

Describe your actual writing environment.

Secondhand office chair with a sprung back and ratty grape colored upholstery. In front of my computer at my tiny 'puter desk. Or, in my car -- getting strange looks from the other vehicles because I'm obviously talking to myself -- with gestures yet. Or on Starbucks patio watching the old Caldean guys at the next wire topped table playing backgammon. Places like that. Lots of places like that.

Tuesday, 3 January 2012

Off The Record - Huge Competition







THAT'S IT! 


Competition has now closed. We had over 40 entries, and each entry was assigned a number. A random number generator chose the numbers...2, 9, and 37. The winners names were...


First Prize - Paul Ebbs!

Second Prize - Scott Schnackenberg!



Third Prize - Anita Sawyer!


Your prizes are below. They'll be sent to you soon, please allow four weeks for delivery (except for Scott, yours may take longer with it having to get on a plane!).


Thank you for all the entries. Every penny of profit from the sales of OFF THE RECORD goes directly to charity, so they thank you too!


You can buy Off The Record from:-

Amazon UK - 




Amazon US - http://www.amazon.com/Off-Record-Charity-Anthology-ebook/dp/B006EU1E7S/ref=sr_1_4?s=books&ie=UTF8&qid=1325104289&sr=1-4

Lulu - http://www.lulu.com/product/paperback/off-the-record---a-charity-anthology/18719178?productTrackingContext=search_results/search_shelf/center/1
 




First Placed Winner will receive - 

A copy of the paperback version of 'Off The Record' - personally signed by the editor...me.

A signed copy of Salem by Neil White - White's first book, which is very rare as only 1000 copies where ever produced.

A signed copy of Black Flowers by Steve Mosby

A signed copy of Slash And Burn by Matt Hilton

A signed copy of The Donor by Helen FitzGerald

Hardback copies of...

11/22/63 by Stephen King
Good As Dead by Mark Billingham
Truth Dare Kill by Gordon Ferris

Paperback copies of...

The Razor Gate by Sean Cregan
Quarry's Ex by Max Allan Collins


2nd Placed Winner will receive - 

Signed Copy of Broken Dreams by Nick Quantrill

Signed Copy of The Drop by Howard Linskey

Signed Copy of The Perfect Crime by Les Edgerton

Signed Copy of Judgement And Wrath by Matt Hilton

Hardback Copies of...

The Accident by Linwood Barclay
Live Wire by Harlan Coben

Paperback copies of

Taboo by Casey Hill
The Blonde by Duane Swierczynski
The Consummata by Max Spillane and Max Allan Collins


3rd Place Winner will receive - 

A Signed Copy of Dead Man's Dust by Matt Hilton

A Signed Copy of The Donor by Helen FitzGerald

Paperback copies of...

Hit Girls by Dreda Say Mitchell
Moonlight Mile by Dennis Lehane
Clouded Vision by Linwood Barclay
A Study In Sherlock by Various including Lee Child, Neil Gaiman, and Laurie R. King
Play Dead by Harlan Coben






Terms and Conditions...
Open to any Earth resident.
Must be able to provide name and address, so delivery can be made if prizes are won.
Must be able to provide either proof of purchase, or be able to answer simple question about various sentences within book.
No returns.
Every entry will be assigned a number, and a random number generator will be used to choose winners. Judges decision is final.
All books are either new, or like new, may have been read once. But you're getting them for free, so no whining. All the pages are there, and they're all in excellent condition.
I am not responsible for lost items in the post. If they don't make it, it's an unfortunate act. Every effort will be made to ensure items are delivered promptly and securely. No financial remuneration will be made for lost items.
Decision on validity of purchase is down to judges only. Decision is final.